Wager Large and Win Little in Craps


If you consider using this system you need to have a sizable pocket book and amazing discipline to step away when you acquire a tiny win. For the purposes of this material, a sample buy in of $2,000 is used.

The Horn Bet numbers are certainly not seen as the "successful way to play" and the horn bet itself has a house edge of over 12 %.

All you are gambling is five dollars on the pass line and ONE number from the horn. It doesn’t matter whether it is a "craps" or "yo" as long as you play it consistently. The Yo is more dominant with gamblers using this scheme for clear reasons.

Buy in for two thousand dollars when you sit down at the table but only put $5.00 on the passline and one dollar on one of the two, three, eleven, or twelve. If it wins, excellent, if it loses press to $2. If it does not win again, press to $4 and continue on to $8, then to $16 and after that add a one dollar every subsequent wager. Each instance you do not win, bet the previous value plus an additional dollar.

Adopting this scheme, if for example after fifteen tosses, the number you chose (11) hasn’t been tosses, you without doubt should step away. Although, this is what might develop.

On the 10th toss, you have a sum of one hundred and twenty six dollars in the game and the YO finally hits, you earn $315 with a profit of $189. Now is a good time to go away as it is higher than what you entered the table with.

If the YO does not hit until the twentieth roll, you will have a total wager of $391 and seeing as current bet is at $31, you amass $465 with your profit being $74.

As you can see, using this scheme with only a $1.00 "press," your gain becomes smaller the longer you bet on without succeeding. That is why you have to walk away after a win or you have to bet a "full press" again and then continue on with the one dollar boost with each hand.

Crunch some numbers at home before you try this so you are very familiar at when this approach becomes a losing proposition rather than a profitable one.

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